We present below some of the best 10 fonts for business cards to ensure you have the best presentation of your brand. Fonts are a brand’s voice. Serif and sans serif fonts convey classic styles, and script fonts lend an exclusive identity to the brand, the way of font choice embeds brand consciousness in the audience.
While or after designing your business card, bear in mind the visibility of the words you are filling into the card, in as many colors and sizes of fonts as possible, so that all the information to be conveyed comes out as it should. And though some of the more fun fonts may seem perfectly acceptable on your computer monitor, they may not transfer well onto paper and can make corporate ghosting ineffective. So what are the useful fonts for business cards in the present day?
Types of Fonts for Business Cards
Right, Let’s start with the basics. How to justify the three most essential types that should be provided within your Business Card?
Serif Fonts
A serif is also known as a stroke. It is typically found at the end of the lines within a letter or character so that fonts have a more interesting structure. These types of fonts have a vintage appeal and are usually associated with the old printing methods practiced in letterpress.
Sans Serif Fonts
Sans serif fonts are modern and plain in appearance without any embellishments. Certain designs of typefaces, which do not feature strokes or accents, pair well with complex fonts and designs. It is the font used in business card details since it is quite easy to read the contents.
Script Fonts
Script fonts adhere cursive letters together; as though a person had handwritten a certain defined proportion in such styles. Having this quality, the fonts tend to be quite rhythmical as well, glancing through every word naturally.
Things to consider when choosing a business card font
There are some elements that you should consider first before asking yourself, which font works best for your business cards in this case. Speaking of choosing a business card design, there are several aspects of it that one needs to take into consideration.
Font sizes
You will most probably be looking for business card fonts on a computer during the font search. In choosing your font, try to ensure that the text will more or less be legible when printed at smaller point sizes. Thus, when you are done with your design, make sure you return to the actual card size of the proportion of the text that contains your information.
Font weights
Within typography, bold, medium, and thin – are semi-specific terms regarding the font-weight or the relative size options within each letter and character of the font. Most fonts are supplied in different faces and weights – such as the so-called font family.
However, some, for example, the Book and Roman types, are more visible in printed form than on electronic screens. But do not forget, that thin and lighter fonts do not always reproduce as crisply when printed as bold fonts do – that is most likely true for smaller point sizes.
Legibility
When searching for an appropriate typeface for a business card, it is important to state first of all that the type is easy to read. There is a definite need for all of us to attract attention to our brand. However, care should be taken to use fonts that are clear in every size so that no detail is missed. For example, that pretty calligraphy font will do just great for flyers. But what does that text mean anyway?
Compatibility
Combining two fonts can be quite complicated. In the majority of design processes, one learns to accept that a font choice is correct when one feels it, which is unlike in science. So why not rake heaps of illustrations and experiment with pairings like sans and sans, serif and serif, or script and script? It is also wise to select other fonts that have an almost congruent or complementary stroke design to your logo or graphic.
Taking those considerations into account, we have prepared some great examples of really awesome fonts in any style and any size which can serve as an urge to take Think Packaging’s creativity one level higher than Arial. To get you started, here are 10 ideas for awesome business card fonts you can use:
Serif Fonts for business cards
Here’s a selection of good fonts for business cards if you’re partial to serif.
1. Plantin
Why it works: Designed in 1913, Plantin is a serif typeface that has outlived the relevance of many more recent types. Its sober forms and neat proportions paved the way to so many of the reads you’re accustomed to as it served as the basis for the very common Times New Roman. That makes it one of the best fonts for a business card.
Why it works for print: Especially recognizable on the header font of the Monocle Magazine, Plantin is highly effective on any printed medium regardless of the size. Plantin is one family that has many different families and styles of its own which include thin, regular, semi-bold, bold, and true italic variants. These weights allow you to call out certain information, such as job titles, emails, or phone numbers while keeping a cohesive look for your business cards.
2. Capture
Why it works: Lapture, developed by Just Another Foundry, takes a rather different but refreshing direction of typography by being a contemporary serif font. Slight geometrical strokes give some rounded parts of each letter, their peculiar identity. Lapture is classic yet advanced and can bring out just that for your brand.
Why it works for print: Business card fonts never do what they are intended to do and that is why they need to be designed differently. Lapture has a bold typographic style quin which allows its use for printing the smaller point sizes. It is also a convincingly simple one irrespective of the kerning and tracking space applied to the text, very handy for visiting card font.
3. Clarendon
Why it works: Clarendon is an iconic font style that has stood the test of time. Many modern slab serif types are derived from the British-born slab serif type which was first introduced in 1845. The serifs of this type are bracketed too and are very bold to Gonzalez every letter. Clarendon is famous for pretty faces as well such as capital Q capital R which has a fancy ending in its strokes.
Why it works for print: Another point worth mentioning is that this slab-serif font is mostly for rendering emphasis on the printed surface. This is because the characteristics of the Clarendon font style make it very hard for users to get bored when using business cards even at the first impression.
4. Rockwell
Why it works: The font Rockwell was released in the year 1934 by the company Monotype and it is arguably one of the most popular and easy-to-use slab serifs The typeface is consistently bold like Rockwell, this highly stylized geometric sans is intense enough to steal the thunder in any design context.
Why it works for print: This helps in reading when Rockwell is used in designs because, like most slab serif typefaces, it has bold square and rectangular serifs that act as anchors to the text. Similar circular arms formed by letters ‘o’, ‘q’, and ‘p’ are also symmetrical and rounded in nature and inclined to geometric patterns.
Sans Serif Fonts for business cards
1. Akkurat
Why it works: During its life span which remains relatively young, ungdomskort has caused a revolution in the field of design being accepted both on the Internet and in prints. Not being overly creative, it’s quite expressive in its form and details, states various designs omitting a sense of discontent which places it firmly among the top five business card fonts.
Why it works for print: Akkurat is a basic sans serif typeface that is equipped with a set of complementary more decorative types. In case there’s a loud and quite blunt treatment of this logo or branding, it is rather reasonable to include vivid colors with impressionable shapes in it, whereas Akkurat is a very calm and impressive look to the creative contrast of contact details.
2. Helvetica Neue
Why it works: Helvetica is one of the most famous and also one of the most common typefaces anyone is likely to find in the world today; however, Helvetica Neue is fast catching up with its predecessor. Revolving around the same clean and modern aspects conceit of its forebearer, Helvetica Neue can promise the appeal of something common yet exotic, an improvement of something that is already appealing to all generations.
Why it works for print: If you are in the search market for business card font ideas, then the variety of the font family should also be a consideration. With a whopping total of 51 different character weights in the family of Helvetica typeface, this is one of the temples in the quest for a few font options with a sense of uniformity. Although the bolder weights will sound perfect on the printed page, most elements will overcompensate the light or oblique type treatment by making the overall business card layout more pleasant.
3. Avenir
Why it works: Derivative of the famous Futura font, Avenirs, is an improvement to the fresh appearance of the former. It appeals to the masses with its smooth curves and friendly yet elegant character making it ideal for font and logos.
Why it works for print: One font that requires much attention is Avenir as it has been designed with many fonts, Book and Roman among them, which makes it better suited for use in print.
Script Fonts for business cards
1. Cortado Script
Why it works: This cursive style of script is vigorous and looks virtually handwritten, allowing room for center variations of each word to avoid the monotony of certain words. The angles of this script help the eyes navigate towards left and right directions providing an intense handwriting feel yet, clear.
Why it works for print: It is worth taking the time to handwrite all these details and names on the business cards provided in the first section of this page. In practice though, it’s a cumbersome procedure. Except- no one handles business cards these days. That’s why Cortado is an easy way to solve the problem of making your brand look personal without waiting for the next day and a decent pen;).
2. Manus
Why it works: This purpose is to report that this script typeface is an absolute alternative to handwriting as even the most experienced designer will not be able to resist looking for wet ink. Manus has a lot of swirls and open shapes and, therefore, gives the impression of hand-held brush writing, but without the pigments.
Why it works for print: Manus is primarily bold brush typeface which can also be very well used on print mediums when at large point sizes therefore this applies well to names and logos that one wants to shout out. All the same, it is possible that as the point size decreases some negative canters disappear but consider Manus as a load to the majority of current simple San serif fonts.
3. Fabfelt Script
Why it works: A classic calligraphy font considered an effective typeface is Fabfelt. It reproduces the texture without any brushmark or grain which is unlikely found in brush strokes. But don’t let that put you off – Fabfelt is a perfect contemporary interpretation of the traditional sign that we have all grown fond of.
Why it works for print: Another font for creativity to get inspired by. Over the entire range of printed sizes for Fabfelt, the script weight feels comfortable in use, being rather evenly in width through the glyphs. There are a few strokes of script flourishes in the strokes to hold the attention of the viewer that would create the ‘I have seen that before’ appeal and would probably work for your information.
So there you have it – a variety of fonts as well as type families dating from the 1800s to the current year. Whatever way the brand may change, the brand voice would always be supported by such fine typography that it would want to match.